Best Entertainment for makeup quality

#1

Alien prosthetics and makeup lend the strange inhabitants convincing personality even when the storytelling falters.

#2

The creature makeup and prosthetics give the Fin Man a memorable, menacing seal-like appearance and are singled out as impressive craft work.

#3

The makeup and styling receive strong praise where discussed, contributing to the film’s elaborate Oz aesthetic and character presentation.

#4

Hair and makeup contribute to a polished, intentional visual presentation that complements the wardrobe and cinematography.

#5

Mr. Nas’s makeup is a standout for its grotesque detail and impressively convincing execution.

#6

Makeup is praised as part of the production’s standout craft, with the Kyoshi Warrior work called especially effective.

#7

Bold makeup is part of the film’s vibrant, characterful presentation and works in concert with the costumes and production design.

#8

Visible wounds and practical makeup give James’s injuries a painful physical presence.

#9

Hair and makeup are praised for quietly reinforcing period authenticity and differentiating characters without calling attention to themselves.

#10

The séance material earns specific praise for unsettling makeup work, especially the disturbing physical details used as Claudia materializes.

#11

Sarah Paulson's Aileen Wuornos transformation was praised for hair and makeup work that convincingly nails the look.

#12

The practical makeup is praised for looking realistic and helping the bloody injuries land with convincing detail.

#13

The make-up effects receive emphatic praise for convincing gore that earns the film’s age rating without feeling merely splashy.

#14

Creature makeup and design receive strong praise for letting the infected grow increasingly strange and grotesque while retaining a tactile, handcrafted feel.

#15

Mary Woodvine’s aging makeup is convincing enough to make her difficult to recognize at first. The transformation supports the time-slip structure without feeling showy.

#16

The queens are presented with flattering lighting, polished hair, and spectacular makeup that gives the production a more glamorous finish.

#17

The makeup is praised for keeping Winifred appropriately imperfect rather than overly polished, with small details such as flyaway hair helping the period character feel lived-in.

#18

The makeup adds an eerie edge to the film’s most memorable presence.

#19

Colin Firth’s transformation earns specific praise for its delightful makeup-and-hair disguise.

#20

Makeup is rarely isolated, but when mentioned it supports the period illusion along with hair, costumes, and set design. It helps the show sell old-Hollywood style even when the artifice...

#21

The Santa transformation is generally convincing, with reviewers praising the prosthetic approach and how effectively it hides Taylor's identity. One review simply called the makeup decent rather than exceptional.

#22

More restrained monster makeup can make Chastain look convincingly uncanny, especially before the heavier digital distortions arrive.

#23

Makeup is praised alongside costumes and set design as part of the show’s polished period recreation.

#24

The apparition’s grotesque practical makeup is praised for fitting its disturbing presence. The damaged face gives the haunting an immediately physical quality.

#25

The thieves’ prosthetic disguises are described as creepily effective, helping the gang conceal its identities and strengthen the opening premise.

#26

The makeup and hairstyling receive direct praise as lovely, even within a deliberately anachronistic overall design.

#27

The Passenger’s hollowed, decayed look can be creepy and physically threatening, especially at a distance. The design loses impact when overexposed or paired with weak digital work.

#28

The exaggerated prosthetics are viewed as intentionally strange rather than realistically invisible, fitting the show’s heightened premise even when Powell’s physical performance does more of the transformation work.

#29

The makeup work contributes strongly to the Deadites’ damaged bodies and memorable transformations, complementing the practical effects.

#30

The younger Emma’s edgy styling and makeup are viewed as effectively supporting the depiction of her teenage spiral, even when the look is intentionally exaggerated.

#31

Hair and makeup help sell André across the long timespan. The aging work supports the 14-year emotional arc without drawing attention away from the performance.

#32

The more restrained hair and makeup is generally welcomed after Season 3’s excesses, although Sophie’s styling choices divide opinion.

#33

Makeup and prosthetic work are praised as part of the movie’s practical gore package, especially in its messiest set pieces. One reviewer also flags rough wig continuity, keeping the reaction...

#34

The prosthetic makeup is often admired for helping Cruise disappear into the role, with several reviewers calling the transformation seamless or striking. Others find the fat suit and facial work...

#35

Body and creature makeup is usually praised, especially the grisly mortuary work. The main monster is more divisive, with some calling it memorable and others saying visible low-budget seams make...

#36

The cast’s made-up, photo-ready appearance supports the glossy reality aesthetic, though it also contributes to the sense that scenes are overly curated.

#37

The fixer’s hair styling is divisive: one appraisal calls it fabulous, while another finds it the only unwelcome part of her formidable appearance.

#38

The long-hair-and-beard look sells Grace’s extended sleep, though one reviewer jokingly calls out his suspiciously maintained highlights.

#39

The aged, weathered transformation mostly works, especially the hair and overall grime. One reviewer found the beard application noticeably uneven in places.

#40

Some admire the decayed faces and effective translation of the book’s undead look. Others find the designs artificial, lackluster, or unpleasantly lingering on grotesque details.

#41

Aging makeup is one of the weaker craft elements. Pugh’s transformation works better for some than Abbott’s, and multiple takes find the passage of decades only partly convincing.

#42

Makeup is only lightly discussed, with one review folding it into a broader criticism of the film's polished, less believable look.

#43

Most creature and costume work supports the colorful fantasy, but one reviewer noticed an unconvincing wig that broke the illusion.

#44

One reviewer finds a cult character’s polished hair and makeup visually unconvincing for the setting, hurting immersion.

#45

Atlas’s hair styling is mocked for making the supposedly cool magician look conspicuously middle-aged. The grooming choice becomes a distraction rather than character enhancement.

#46

One assessment sharply criticizes Roy’s wig for looking terrible and announcing his villainous role too obviously.

#47

One reviewer disliked part of Lamar’s visual styling, specifically calling out the wig as something that was not working for them.

#48

Grandpa’s aged mask is singled out as one effect that has not held up as well as the film’s implied violence.

#49

One critic finds the Oompa-Loompas’ familiar orange makeup unappealing.

#50

Creature-related makeup receives negative marks where discussed, largely because its digital-looking presentation undermines believability beside stronger practical gore work.