Best TV Shows for humor

#1

The comedy receives near-universal praise, from mundane Hank frustrations to ensemble shenanigans. Multiple reviewers call it some of the funniest television they have watched recently.

#2

Humor is praised for feeling organic to the characters and for relieving heavier family drama without undercutting it, with Connor frequently serving as comic relief.

#3

Dark comedy, biting class satire, insults, and verbal sparring keep the divorce warfare from becoming relentlessly grim. The humor works best when it sharpens the characters’ cruelty.

#4

Humor remains useful even as the season gets darker. Light banter and comic beats help release pressure without fully breaking the thriller tone.

#5

Brief moments of levity work well as pressure valves, including the drunken Talking Heads sequence that gives the leads a welcome break from constant tension.

#6

The humor is a recurring strength, helping the series land its most effective moments.

#7

The show largely avoids frivolous comedy, and at least one critic sees that straight-faced seriousness as exactly the right choice for Pine’s world.

#8

The final season keeps the show's comic identity intact, drawing praise for sharp banter, cringe situations, political jokes and even its raunchier punchlines.

#9

The comic turn is one of the reinvention’s biggest successes for many reviewers, from mock-rockumentary banter to Lestat’s absurd self-seriousness. A minority finds some of the silliness tonally jarring.

#10

The season is consistently very funny, mixing physical comedy, cringe, wordplay, escalating farce, and rapid-fire jokes that repeatedly land.

#11

Humor is a quiet strength: reviewers mention gross-out laughs, workplace quips, and a deceptively funny tone that offsets the heavy medical drama. It does not turn the show into a...

#12

The comedy ranges from sharp dialogue to full physical farce, with many critics highlighting the season’s relentless laughs and eccentric English silliness.

#13

The humor mostly comes through the interviewees, especially Nick Cave and Jason Donovan, whose candor adds funny, sharp moments amid the heavier material.

#14

Comedy is the broadest point of agreement: reviewers repeatedly call the show very funny, mordant, biting, and laugh-out-loud effective, especially in its publishing satire and awkward social situations.

#15

Season 5 is widely praised as very funny, from sharp dialogue and physical comedy to farce and dark jokes. A few critics find the opening or some stunts weaker, but...

#16

Comic relief lands well amid the heavier drama, from intimate couple banter to the episode’s more knowingly outrageous clan dynamics.

#17

The season’s comedy is generally appreciated as light relief, especially Morph’s quips and Jubilee’s snark, without undercutting the larger stakes.

#18

The humor is frequently described as laugh-out-loud, quick-witted, dark, and unmistakably Irish, with the trio's insults doing much of the work. A smaller group felt the laughs thinned out as...

#19

The dark and absurd humor is widely considered a strength, giving an otherwise grim hostage story an unusual personality. A few critics noted that the comic tone can also make...

#20

Humor is one of the show’s clearest strengths: dry, dark, character-driven, and often working with the scares instead of against them.

#21

Humor appears in small, odd flashes rather than broad comedy. Reviewers respond to the season’s willingness to get weird, especially around Irene’s unsettling behavior.

#22

Humor is one of the strongest points across the set. Reviewers repeatedly call the season funny, silly, quotable, and full of bizarre comic ideas, with Ice King often singled out...

#23

Quirky judges, Christy’s sprawling family connections and the unfinished office provide recurring laughs. The playful approach makes grim technology stories easier to enjoy.

#24

Humor was a consistent plus. Reviewers liked the witty banter, dry senior-citizen comedy, and the way the show balances jokes with horror and grief.

#25

The family’s humor is a clear strength, from Wayne and Coleen laughing at themselves to the boys’ quick lines and Klay’s pundit parody. Even skeptical takes find the banter entertaining.

#26

Dry workplace wind-ups, nosy neighbors, and recurring visual gags draw strong praise. The gentle approach can also feel juvenile or too quirky for some tastes.

#27

Humor is a major part of the show’s appeal, even when the material is grim. Camp moments, bawdy jokes, and cutting one-liners keep the series from becoming purely bleak.

#28

Dark comedy is a consistent bright spot: several reviewers praise the camp, absurdity, and specific comic episodes or line deliveries even when they dislike the larger story.

#29

A playful refusal to take the criminal fantasy too seriously gives the series much of its charm.

#30

Its irreverent comedy and Sybylla’s chaotic energy give the period setting a light, modern pulse that several viewers found refreshing.

#31

The bawdy humor, jokes, and irreverence work well for viewers who embrace the show’s deliberately messy, modern energy.

#32

Brief flashes of humor through Ian’s bleakness are praised for making him feel more human without disrupting the show’s somber tone.

#33

One review specifically praised the series as charming and funny, noting that lighter moments help balance its darker emotional material.

#34

The lighter comic touches worked for at least one critic, especially Asante Blackk’s quirky energy and Eric Balfour’s slimy-lawyer turn.

#35

Humor is light rather than dominant, but small touches such as Denny’s playlist during Lizzie’s birth are praised for adding natural levity.

#36

Most reviewers laugh often and praise the character comedy, slapstick and wordplay, but several note flat sketches, uneven punchlines or jokes that need another pass.

#37

Light banter, awkward family moments, and Foley's easy humor keep the grief-heavy story from becoming oppressive without turning it into a broad comedy.

#38

Dark and gallows humor works extremely well for most reviewers, providing needed release from the bleak subject matter. A minority felt the jokes were glib, forced, or tonally out of...

#39

Dark laughs and sharp character interactions bring welcome levity to the bleak story. Josie Totah’s comic timing and Margaret’s clashes with school officials stand out.

#40

The banter, quips, campiness, and comic performances land very well for most reviewers, though a few find the jokes effortful or overly constant.

#41

Humor remains a reliable asset, especially through Luc, Princess Jane, meta jokes, and the show’s willingness to embrace silliness.

#42

Dark, absurd humor is a major part of the appeal, repeatedly breaking the tension without undercutting the unsettling premise.

#43

Most reviewers laughed at the classic character comedy, misdirects, and subtler satire. One strong dissent found the same jokes repeated too often and said they only chuckled a couple of...

#44

Victor’s sweaty-boy defense and sharp comeback are recurring comic highlights, alongside Alan’s puns and odd castle moments. Jay’s outsized behavior can be funny, although some find it exhausting.

#45

The odd-couple banter and cameos generate plenty of laughs for most, but cringe comedy and broader Marvel-style jokes are divisive.

#46

Dry one-liners and Ritchson’s deadpan timing remain reliable strengths for many reviewers, though the harshest critics think the season has lost much of the playful spark of Season 1.

#47

The caustic workplace comedy and Lamb’s insults still land for most critics, even against a much bleaker story. A few reviewers felt the one-liners were less sharp than in earlier...

#48

Comic banter, sibling moments and physical comedy provide welcome lightness, with several reviewers calling out genuinely funny scenes.

#49

Most reviewers still find the season very funny, praising Chad’s bizarre dialogue, ensemble reactions, and Gerry’s unsettling comedy. The main criticism is that the darker material reduces the quantity and...

#50

Most reviewers respond well to the dry, surreal, sexually awkward comedy, with several calling it hilarious. A minority finds the jokes muted, forced, or only mildly funny.