What They Had Movie Review

Released: October 19, 2018
Updated: 7 days ago
4.0
Overall review score
383
Review insights
38
Scored features
28
Expert reviews
Content guidance
Scorata recommended age 15+

Profanity, sexual references including a discussion of sexual-assault risk, a makeout scene and drinking references call for mature judgment. Dementia, family conflict and loss can be emotionally distressing.

Official rating R

Bottom Line

Choose it for powerful ensemble acting and an intimate look at dementia caregiving. Skip it if familiar family subplots and neatly resolved endings make emotional drama feel forced.

Best for

Viewers who appreciate intimate ensemble dramas, particularly caregivers and families navigating aging, dementia and difficult care decisions.

Not for

Viewers seeking an unpredictable plot or a tightly focused account of the patient’s experience. Some may find the family arguments and sentimental closure frustrating.

Verdict

What They Had is most persuasive when its family argues over care, obligation and the fear of separation. Robert Forster and Michael Shannon are frequent standouts, while Blythe Danner’s moments of recognition and Hilary Swank’s divided loyalties give the conflict emotional weight. Sardonic humor often keeps the difficult subject humane rather than relentlessly bleak. The main tradeoff is the screenplay: marital trouble, college anxieties and other side stories enrich the family portrait for some viewers but distract from dementia care for others. The conclusion is similarly divisive, earning praise for quiet reconciliation and criticism for tidy resolutions and blunt symbolism. Its strongest appeal is to viewers who value intimate ensemble drama and recognizable caregiving dilemmas over narrative surprise.

Feature Scorecards

Summary

38 reviewed features
  • Very positive 4.5-5.0
    12 (32%)
  • Positive 3.5-4.4
    17 (45%)
  • Neutral 2.5-3.4
    4 (11%)
  • Negative 1.5-2.4
    5 (13%)

Pros highlights

  • 3.9
    28 reviews low consensus
    drama quality: 3.9, 28 reviews, low consensus
    The family crisis can be intimate, funny and deeply affecting, particularly when caregiving takes center stage. Conventional plotting and sentimental resolutions divide reactions.
  • 4.9
    25 reviews strong consensus
    supporting cast performance: 4.9, 25 reviews, strong consensus
    Forster, Shannon and Danner supply many of the strongest moments, combining stubbornness, vulnerability and tenderness. The supporting ensemble often outshines the familiar plotting.
  • 4.8
    24 reviews strong consensus
    acting performance: 4.8, 24 reviews, strong consensus
    The ensemble is the most reliable strength, turning strained family arguments into vivid, often moving scenes. Even skeptical takes credit the actors with lifting conventional material.
  • 4.5
    24 reviews moderate consensus
    realism: 4.5, 24 reviews, moderate consensus
    Caregiving disputes, sibling resentment and moments of recognition often feel painfully true to life. Some question the family’s credibility or the softened picture of dementia.
  • 4.3
    22 reviews moderate consensus
    emotional impact: 4.3, 22 reviews, moderate consensus
    The caregiving strain, fleeting recognition and fear of separation bring many viewers to tears. Some find the emotion too heavily engineered or the overall film unexpectedly distant.
  • 4.3
    19 reviews strong consensus
    humor: 4.3, 19 reviews, strong consensus
    Gallows humor and prickly family banter provide relief without usually trivializing dementia. Laughter can feel uncomfortable, but often captures how families cope.

Cons highlights

  • 3.4
    26 reviews low consensus
    story quality: 3.4, 26 reviews, low consensus
    The caregiving dispute creates a compelling center, but the surrounding marital and college subplots divide viewers. Some welcome the broader family portrait; others feel it crowds out dementia or resolves too easily.
  • 2.7
    12 reviews low consensus
    ending satisfaction: 2.7, 12 reviews, low consensus
    The ending is the clearest fault line: restrained reconciliation moves some viewers, while others object to tidy closure, drawn-out farewells and blunt symbolism.
  • 2.1
    6 reviews strong consensus
    plot originality: 2.1, 6 reviews, strong consensus
    The dysfunctional-family setup and familiar narrative beats invite repeated complaints about cliché. Strong acting helps, but does not make the plotting surprising.
  • 3.2
    5 reviews low consensus
    theme depth: 3.2, 5 reviews, low consensus
    The film explores commitment, family roles and the burden of dementia care. Its breadth can enrich the portrait, but can also dilute the central issue or leave hard questions unanswered.

Cast & Creators

  • Nobert
    4.7
    21 reviews strong consensus
    Robert Forster: 4.7, 21 reviews, strong consensus
    Forster is a frequent standout as a devoted but immovable husband and father, revealing fear beneath belligerence. The role’s theatricality and occasional caricature draw reservations from a few viewers.
  • Ruth Everhardt
    4.7
    18 reviews strong consensus
    Blythe Danner: 4.7, 18 reviews, strong consensus
    Danner brings warmth, lyricism and heartbreaking shifts of recognition to Ruth. Praise for her restraint is tempered by concerns that the role is peripheral or the illness too adorably softened.
  • Nicky Everhardt
    4.6
    22 reviews strong consensus
    Michael Shannon: 4.6, 22 reviews, strong consensus
    Shannon’s prickly humor and exposed resentment repeatedly stand out, with several assessments calling the work among his best. One dissenting take finds angry mannerisms obscure his charisma.
  • Bridget Ertz
    4.2
    18 reviews moderate consensus
    Hilary Swank: 4.2, 18 reviews, moderate consensus
    Swank makes her daughter’s divided loyalties and private unhappiness tangible, often through restrained expression. Some find her earnestness tiring or her flirtatious scenes less convincing.
  • Writer, Director
    4.0
    24 reviews low consensus
    Elizabeth Chomko: 4.0, 24 reviews, low consensus
    Chomko’s debut earns substantial praise for sensitive observation, grounded humor and emotional precision. Others find the staging theatrical and the writing conventional, with distracting subplots and overly tidy closure.
  • Cinematographer
    4.5
    2 reviews limited evidence
    Roberto Schaefer: 4.5, 2 reviews, limited evidence
    Schaefer’s photography is praised as classy, polished and unobtrusive, supporting the focus on psychology and storytelling.

Compared With Category Average

Compared with other Movies, this product is above average in runtime, ethical handling of deaths, realism, near average in story quality, lead performance, below average in sound design, historical accuracy, editing quality.

Comparison summary

37 compared features
  • Above average 0.4+ pts higher
    24 (65%)
  • Same as average within 0.3 pts
    4 (11%)
  • Below average 0.4+ pts lower
    9 (24%)

Largest category differences

Attribute This product Category average Difference
sound design 2.0 4.1 -2.1
runtime 4.5 2.8 +1.7
historical accuracy 1.8 3.3 -1.6
ethical handling of deaths 4.5 2.9 +1.6
realism 4.5 3.4 +1.0
editing quality 2.0 3.5 -1.5
tonal consistency 4.4 3.2 +1.3
supporting cast performance 4.9 4.1 +0.8

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Compared in Reviews

Products reviewers directly compared with this model, grouped into quick takeaways.

away from her

  • Compared: Truthfulness of dementia portrayals The film is discussed alongside away from her as a dementia drama containing recognizable truths.
  • Better: Emotional impact and staying power The touching drama is judged less powerful and lasting than Away From Her.
  • Better: Focus on dementia Unlike Away From Her, this film lets dementia recede behind family bickering.

Still Alice

  • Compared: Truthfulness of dementia portrayals Still Alice is invoked as another dementia drama with moments recognizable to people with firsthand experience.
  • Compared: Family perspective versus patient perspective The film is viewed as a companion to STILL ALICE, concentrating on the family rather than the patient.
  • Similar: Familiar dementia and family-conflict territory The film revisits familiar dementia-and-family territory also explored by Still Alice.

Amour

  • Better: Emotional impact and staying power Its emotional impact and staying power fall short of Amour.

FAQ

Is the film mainly about dementia?

Dementia triggers the crisis, but much of the story follows the family’s caregiving disputes, old resentments and relationship problems.

Which performances stand out?

Robert Forster and Michael Shannon receive especially consistent praise. Blythe Danner’s shifts between confusion and clarity and Hilary Swank’s conflicted daughter also earn strong approval.

Is it relentlessly sad?

It is often heartbreaking, but sardonic banter and gallows humor provide relief. Many find that balance true to how families cope.

Does the family feel believable?

Many recognize the caregiving arguments and sibling dynamics as painfully authentic. A smaller group finds the family too theatrical or the dialogue too generic.

Is the ending satisfying?

Opinions split: some appreciate the quiet reconciliations, while others find the closure overly tidy, prolonged or sentimental.

What content should families consider?

The film includes profanity, sexual references, a makeout scene and drinking references, alongside distress around dementia and loss.

Sample Expert Reviews We Analyzed

These are a few of the reviews included in our analysis.

Video Reviews

Article Reviews

keithandthemovies.com

Chicago native Elizabeth Chomko's bittersweet debut "What They Had" takes a look at a delicate subject but does so in a way that is sure to...

Review score
4.0
theupcoming.co.uk

Hillary Swank and Michael Shannon were destined to play siblings in cinema. There’s a great familial chemistry between the adult offspring in...

Review score
4.1

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