Compare How to Get to Heaven from Belfast, Season 1 vs Lupin, Season 4

Most reviewers found the series highly enjoyable and easy to recommend, with several calling it a must-watch or hoping it finds a larger audience. A minority saw its sensory overload and tonal excess as likely to make it a love-it-or-hate-it watch.

Early audience enthusiasm falls sharply short of the strong critical response. The initial reaction is notably poor, although it remains too early to treat it as settled.

The leads' messy flaws are part of the design, and many reviewers found their chaos endearing or outright lovable. Others found the bickering trio difficult to believe as best friends or not likable enough to sustain another season.

Assane remains an inviting, charismatic rogue even when his confidence no longer keeps him ahead. His warmth is a major reason the elaborate deceptions remain enjoyable.

One roundup highlighted a wave of four- and five-star notices and a very high critic aggregate, matching the generally enthusiastic tenor across much of the coverage. Critical dissent centers more on plotting and tone than on the cast.

The season enjoys exceptionally enthusiastic early critical reception. Its charms, heists, and ambitious return make a particularly strong impression.

At least one small continuity choice earned explicit praise: damage to the women's car remains visible instead of magically disappearing after the mishap. That kind of follow-through helped the chaotic road trip feel coherent.

Secret family connections and flashback setups raise questions about how much was planned. The absence of earlier hints makes some new revelations feel added after the fact.

The crime plot is often proudly absurd, yet reviewers found the friendship, arguments, and emotional reactions surprisingly authentic. Even improbable situations can feel grounded when the women start talking like people who have known one another for decades.

Implausibly perfect heists, careless adversaries, and convenient escapes strain credibility. The enormous hidden treasure and the finale’s alliance demand further suspension of disbelief.

Flashbacks, road-trip detours, and overlapping clues often keep the mystery lively and reveal character along the way. Repeated scenes and a recurring trouble-clue-escape pattern made the structure feel formulaic to some binge viewers.

The repeated pattern of Assane entering trouble and escaping with the upper hand can become predictable. That familiar structure reduces the surprise of individual episodes.

The leads stay recognizably themselves even while making disastrous choices. Reviewers appreciated that later scenes tend to explain apparent contradictions through history, personality, and the long habits of friendship.

Assane handles changed relationships with welcome maturity. Raoul’s resentment grows naturally from neglect, but his final alliance and some earlier choices are harder to reconcile with the family’s history.

Eight episodes is the most repeated structural complaint. Multiple reviewers independently suggest the story could lose one or two installments—or simply be six episodes—without sacrificing its core mystery or character work.

The eight-episode format stays brisk overall. The expanded run still has some wheel-spinning near its end.

The closing hook creates interest in another season, but it also frustrated one reviewer because renewal was uncertain. The tease works as a continuation device more than as a fully comforting stopping point.

The ending is surprising and can leave viewers eager for more. Abruptly withheld resolution and earlier fake deaths also make its impact frustrating or less convincing.

The central mystery reaches a real resolution, and several reviewers found the ending effective or satisfying enough. Others thought it was tepid, anticlimactic, overly perplexing, or too eager to leave certain characters available for more.

The final turn shocks some viewers, but leaves major family and corruption threads unresolved. Anyone expecting a settled conclusion may find the stopping point disappointing.

The series is repeatedly praised for feeling unmistakably Northern Irish and Irish, from Catholicism and language to pop culture, geography, humor, and the lingering aftereffects of the Troubles. Several reviewers saw that specificity as one of its richest qualities.

Turning racial invisibility into automatic suspicion gives the frame-up social force. The racial commentary can also feel hurried and underdeveloped.

The mystery is engaging but often asks a lot of the viewer. Some found the knots involving, while others needed notes or complained about identities, side plots, false leads, and late-season complications becoming confusing.

Concrete tricks and visible clues make many heist explanations easy to follow. The returning cast, long gap, and unclear character motivations can still make parts of the larger story difficult to track.

The script draws emphatic praise for its wit, character conflict, and ability to make chaos feel natural. Even when the plot is criticized, the actual scene writing and comic construction are often treated as first-rate.

Clever plotting, a worthwhile return premise, and sharper social ideas give the writing strength. Plot holes and convenient escapes sometimes undercut that craft.

For many reviewers, the comedy-mystery-thriller blend is exactly the appeal: strange, dark, funny, and unpredictable. The dissenters found the same mixture overstuffed, uncertain of its identity, or weaker when the crime mechanics took over.

The series delivers an unusually charming mix of crime, cleverness, and twisty caper pleasures. Its gentleman-thief approach remains a particular attraction.

Booker stands out as an enjoyably vivid threat within the oddball ensemble. Her menace, visual presence, and blunt attitude make the antagonist side of the caper memorable without losing the show's comic flavor.

The copycat offers a welcome opponent with skills that challenge Assane’s usual advantages. Less convincing villain decisions and unevenly explained technology can blunt that contest.

The larger action set pieces add momentum without having to carry the series. One reviewer specifically liked that the comedy and character clashes remain the main attraction even when the show gets bigger.

Exciting stunt work and elaborate robberies push the action beyond earlier outings. The premiere’s twin heists provide an especially gripping start.

Quick cuts are used deliberately for comic effect and were praised as part of the show's energetic technique. The editing helps reinforce the frantic rhythm rather than simply documenting it.

Heist explanations rely more on clues already visible in the image. That more judicious editing makes the reveals feel fairer to attentive viewers.

The finale earns credit for a clever turn and for resolving major questions, but the reaction is far from unanimous. Other reviewers found it perplexing, tonally split, or less satisfying than the stronger start.

The finale delivers a striking surprise and emotional intensity. Its unresolved stop can be enticing or frustrating, depending on how much closure you want.

The early run is commonly described as propulsive and addictive, while the later stretch divides opinion. Some liked the escalating road-trip energy; others felt the mystery stretched, repeated itself, or lost momentum near the end.

The season usually moves briskly and keeps its busy plot advancing. Some wheel-spinning near the end interrupts that otherwise purposeful momentum.

The best twists repeatedly overturn expectations without feeling arbitrary, and several reviewers praised how earlier assumptions are reframed. Their sheer frequency can create whiplash, but unpredictability is a major part of the fun.

Misdirection and surprising family revelations keep the season lively. Some turns feel ingenious, while others seem retrofitted or follow an increasingly familiar escape formula.

The tonal juggling is the season's biggest fault line. Some reviewers admired how comedy, dread, grief, and absurdity flow together; others felt the series became stressful, inconsistent, or like two different shows by the finale.

Heightened capers and emotional drama can strike an enjoyable balance. Blockbuster excess and the English dub sometimes push the tone too far.

Beneath the jokes, reviewers found a meaningful emotional current about grief, regret, friendship, and the lives the women did not end up living. Small lines and exchanges often linger after their immediate punch line.

Sy’s restrained hurt and the father-son estrangement give the capers emotional weight. The final revelations can land hard even when the plot’s logic is questioned.

Ireland is photographed with real atmosphere, from lovely scenery and striking locations to vibrant or ominous visual shifts. Even mixed reviews often acknowledged how good the series looks.

A glossier, more cinematic look gives the return visual ambition. The larger presentation is apparent from the opening title card onward.

The dramatic material can be intimate and emotionally sharp, especially when grief, memory, and friendship take precedence over spectacle. The main criticism is that the serious mystery sometimes sits awkwardly beside the show's zany default mode.

The stronger soap-opera elements often give the season welcome energy and mature interpersonal conflict. Some moments become too theatrical or overplayed.

The humor is frequently described as laugh-out-loud, quick-witted, dark, and unmistakably Irish, with the trio's insults doing much of the work. A smaller group felt the laughs thinned out as the series became busier and darker.

Dry irony and Sy’s exaggerated disguise performances keep the season playful. The comedy often works because frustration and personal hurt remain visible beneath the confidence.

The central friendship and buried-secret mystery give the season a strong narrative engine, and most reviewers stayed invested. The recurring caveat is sprawl: side plots, identities, and escalating conspiracy can become more complicated than the emotional core needs.

Framing a thief who can escape anything gives the return a strong reason to exist. Hidden family connections, convenient technology, and the final alliance are the main reservations.

A sizeable group finished wanting more time with the trio and explicitly hoped for another season. That enthusiasm is tempered by a few reviewers who either disliked the characters or worried that the final tease could become frustrating if the story stopped there.

The changed family conflict opens an enticing direction for another season. Continuing Assane’s adventures also risks undermining his attempts to reconcile with his son.

Friendship, memory, guilt, identity, trauma, midlife disappointment, Catholic inheritance, and the stories people tell about themselves all give the caper extra weight. Reviewers often found the emotional and cultural ideas richer than the literal whodunit mechanics.

Reputation becomes a trap rather than a tool, giving the story a strong thematic hook. Fame, presumed guilt, and the difficulty of leaving a criminal identity behind add substance to the capers.

The adult friends are given meaningful midlife frustrations, old wounds, and evolving self-understanding, with Saoirse especially well developed. Some reviewers wanted more depth for Dara, Greta, and a few supporting figures.

Assane gains vulnerability, and Raoul becomes far more central to the story. The son’s darker choices can feel like an earned response to neglect or an unconvincing way to prepare the next crisis.

Having all eight episodes available at once suits the bingeable story, but one reviewer worried that the drop-everything release could also make the series easy to miss. The concern is discoverability, not the viewing flow itself.

The long wait makes the cast and relationships harder to remember. The entertaining return can justify the hiatus, but the delay remains frustrating.

Opinion splits sharply here. One critic saw familiar shows being reworked and rehashed, while another argued that McGee turns the genre mash-up into an exception through meta storytelling and a distinctive comic voice.

Putting Assane on the defensive refreshes the premise. The retired thief pulled back for another job and another hidden-family revelation are much more familiar.

The show scatters enough danger, clues, eerie imagery, and withheld information to keep most reviewers curious. Suspense is strongest when tied to the women's past; the more labyrinthine conspiracy material can blur that focus.

Impossible robberies and a constantly shifting mystery keep viewers guessing. Nail-biting confrontations sustain the tension even when some plot turns strain credibility.

This is widely described as a hard show to stop watching, and several reviewers tore through all eight episodes quickly. The main drag on the binge is repetition and a season some felt could have been shorter.

Strong watchability and twisty storytelling make sustained viewing appealing. Established fans have plenty of caper ingenuity and family drama to keep them watching.

Rewatch appeal is mixed. One reviewer thought a second viewing could reward the dense plotting, while another would not revisit it because the long comedy-thriller episodes are less casual than a short sitcom.

Revisiting the story can deepen appreciation of how the schemes were constructed. Knowing the solutions does not erase the pleasure of spotting the clever setup.

The dominant response is that the show is enormously entertaining, with reviewers calling it a belter, a rush of joy, great craic, and one of the year's best. Even several mixed reviews concede that the trio makes it very watchable.

Charismatic capers, audacious tricks, and family complications make this a lively return. Plot holes and the unresolved crisis can diminish the enjoyment.

The visual package is bold, atmospheric, and often beautiful, shifting from Irish landscapes to neon and ominous imagery. That stylization is also divisive: some found it cartoonish or a case of style overwhelming substance.

The return retains a sleek, stylish caper identity. Its polished presentation remains appealing even when the story strains credibility.

Costuming gets its biggest boost from Saoirse-Monica Jackson's escalating comic looks. Her wardrobe is singled out as part of what makes the character's appearances so memorably funny.

The workman disguise makes Assane’s presence and equipment feel purposeful. Its recognizable job role makes the deception easy to understand.

Roisin Gallagher, Sinéad Keenan, and Caoilfhionn Dunne are repeatedly identified as the engine of the series. Their timing, emotional range, and ability to play off one another keep the story afloat through its messier stretches.

The lead performance carries the season through elaborate tricks and painful family changes. Sy combines effortless charm with comic exaggeration and quieter emotional strain.

Performance quality is one of the safest bets here. Reviewers repeatedly call the ensemble excellent or brilliant, with the actors selling both the manic comedy and the heavier emotional turns.

Sy anchors the acting with magnetism, comic confidence, and emotional restraint. Lively ensemble work and Raoul’s darker portrayal give the family drama additional weight.

The bench is unusually strong, with several tiny roles earning specific cheers and guest performers making vivid impressions quickly. A few mystery figures are underwritten, but the performers themselves are rarely the problem.

Benjamin’s conflicted enthusiasm and Raoul’s darker side give the supporting performances particular impact. The ensemble helps the family drama carry weight alongside the heists.

The Belfast and Donegal speech is part of the fun, with slang, wisecracks, and Derry-accented digs adding a strong sense of place. One reviewer even recommends subtitles so none of the craic slips by.

The friendship does more than trade insults: the women are pushed to own their choices and repair damaged trust. Reviewers found that reckoning genuine, especially when the story connects present behavior to older wounds.

Deepfakes turn Assane’s reputation into a trap and give the capers a modern edge. Their loosely defined limits can also make the mystery too convenient, weakening the pleasure of working out a physical trick.

The central trio's chemistry is the clearest point of agreement. Their bickering, affection, old grudges, and effortless rhythm make the decades-long friendship feel lived in and often carry the show when the mystery wobbles.

Sy’s over-the-top moments and outlandish disguise characters supply effective comic relief. The comedy keeps the thriller from losing its playful edge.

McGee's rapid-fire dialogue is a major strength: sharp, profane, layered, and often devastatingly funny in the same breath. Its speed can demand concentration, but reviewers repeatedly say the banter crackles.

Direction drew direct praise for keeping the chaos visually lively and emotionally legible. Michael Lennox is singled out as captivating, while another review applauds the fish-eye choices and comic quick-cut technique.

The English dub flattens Sy’s performance and pushes the heightened Hollywood feel too far. French audio better preserves the character’s charm and nuance.

The 40- to 50-minute format gives the mystery room to expand, but one reviewer found that length less inviting for casual comedy rewatches. Shorter episodes would have made it easier to throw on again.

The show often moves at a breathless clip, which many reviewers found electric and addictive. Others reported a sluggish middle, overstimulation, or moments that needed more room to land.

Estrangement, divided loyalties, and changed relationships give the heists personal consequences. Assane responds maturely to Claire and Benjamin, while his treatment of Raoul remains painful and contentious.

The flashbacks connect the new conspiracy to the family’s past, but their retroactive setup can show. Explaining the hidden family history is less compelling than Adèle’s original challenge to Assane.

Derry Girls echoes, cameos, mural nods, and Easter eggs delighted many fans without preventing this series from developing its own identity. A few critics thought the callbacks lingered too long or made the follow-up feel derivative.

Benjamin’s loyalty to Assane creates believable pressure on his relationship with Claire. The friendship is allowed to hurt without turning either man into a simplistic villain.

Physical mechanisms and practical misdirection are generally the most rewarding tools. Drones and fabricated images add variety, but their unclear limits can make solutions feel too easy.

Humor and heightened family drama complement the mystery-thriller machinery. The blend works best when the personal material and elaborate plotting stay in balance.

The season’s strongest tricks combine elaborate planning with tangible, understandable misdirection. Technological shortcuts and convenient escapes are less satisfying than that carefully constructed physical craft.

The police investigation has a direct effect on Assane’s family predicament. Reconstructing the museum incident makes the detectives matter beyond simply chasing him.

The foul-mouthed slang and dense local wisecracks are treated as part of the show's comic identity rather than a drawback. One reviewer recommends subtitles simply to catch every fast-moving line.

Hacking and deepfakes bring a fresh dimension to the gentleman-thief premise. The update can feel natural even while its action influences remain familiar.

Rather than recreating the Troubles directly, the series brings their cultural aftereffects into the present through memory, language, borders, Catholicism, and inherited caution. Reviewers praised that contemporary framing for being both specific and understated.

Watching the larger mystery click into place is rewarding. The unconvincing final alliance and an unresolved corruption thread can leave that satisfaction incomplete.

Moving away from the exhausted Pellegrini storyline refreshes the season. The repeated trouble-and-escape formula can still make individual episodes predictable.

The frame-up threatens the family reunion Assane has waited years to secure. Those personal consequences give the story weight, though his near-infallibility and repeated fake-outs can weaken the sense of danger.

Turning Assane into the person who must decode someone else’s scheme refreshes the season’s construction. Interwoven motives and family consequences help make the new direction purposeful.

The return does not fully bridge the years between installments. Remembering important characters, relationships, and past events can still be difficult.

The opening is an immediate hook: reviewers call it a doozy, sharply funny, and fascinating. It establishes danger, friendship, and mystery quickly enough to make several viewers want to keep going almost at once.

Claire and Benjamin’s relationship gives the passing years credible consequences and avoids simple villainizing. Its competing-loyalties conflict can feel rushed.

The opening turns Assane from master planner into the victim of an impossible frame-up. Its prison puzzle and simultaneous robberies give the return an immediate hook.

Bigger visuals and blockbuster ambition give the return impressive scope. The spectacle occasionally overwhelms the quieter pleasure of a clever, understandable trick.

Assane and Adèle are fun to watch working together. Their shared heist skills create an enjoyable father-daughter partnership.

Raoul gains depth and importance beyond his earlier role as a kidnapping victim. His resentment is understandable, but his final choices and some intermediate scenes divide opinion.

Disguises, institutional blind spots, and the resemblance to a real museum theft give the return unexpected contemporary resonance.

One reviewer specifically praised the thriller for avoiding gratuitous spectacle, with emotional consequences carrying more weight than violence. The darker material stays secondary to character rather than becoming an endurance test.

The show gets strong marks for polished, detail-rich environments, especially the early-2000s material and the money visibly put on screen. Period touches and Irish locations make the world feel textured rather than generic.

The pubs, roads, villages, police stations, cultural references, and eccentric locals create a vivid Irish world. Some reviewers wished the increasingly large conspiracy and supporting cast had been explored as deeply as the setting itself.

The return looks more polished, ambitious, and cinematic. The opening episode makes its blockbuster presentation immediately apparent.

The music is a standout for many reviewers, with early-2000s pop and Irish-flavored selections called exquisite, perfectly timed, or tremendous. One critic did tire of repeated needle drops, so the enthusiasm is strong rather than unanimous.